“if I knew you were Common I’d have baked a cake”
mos def one of my favourite Yasiin Bey songs
(Source: youtube.com)
Audra McDonald on needing endurance to play Bess in Porgy and Bess:“The last melody in the show, after an entire night of [Bess] singing and being raped and kicked and beaten and all of this stuff, is ‘Summertime,’ and it’s a lullaby, and it’s high, and it has to be high and pretty and sung to a baby. And it freaks me out that after all this, I have to sound high and pretty and fresh. And I’m always holding onto that baby, going, ‘I know you’re just a doll, but help me.”
Morning light shining through a forest of gumtrees in Knysna, South Africa
Photo by Mario Moreno
‘Come Back, Africa’ (1959) is an explosive film; a strongly political piece, its show the hardship, joy and pain of township life, otherwise closed to the world by the Apartheid regime’s strict hold. Enriched through Lionel Rogosin’s collaboration with the Drum writers Lewis Nkosi and Bloke Modisane on the script, the film possesses a ‘Kafkan sterility’ (Modisane 1990), and tells the archetypal story of the rural man forced toward the city through hardship and the prospect of a better life, something Modisane speaks of with bitterness in his autobiography Blame Me On History (published in 1963).
-Read this post in its entirety by here.
via africasacountry:
Things in my mind….
Prince - American Music Awards, Los Angeles 28.01.1985
1. “favorite black single/album” uuh what the fuck2. this is one of my favorite clips on the internet
This video is everything.
(Source: youtube.com)
Be happy.
(via Gabriel Moreno)
Interviewer: Give Me the argument, the best argument you know, for the power of cinema.
Quentin Tarantino: Oh gosh, you know one of the things about cinema that I just find very moving, it’s why it’s my favorite art form, is when you go to a movie and you see a certain sequence, and if there is real cinematic power and there’s cinematic flare. There are certain filmakers that you feel were touched by God to make movies and it would be a combination of editing and sound, usually it’s like visual images connected with music or something, but when those things work and they really connect..it’s just like you forget to breathe. You are really transported to a different place. Music doesn’t quite do that on its own, novels don’t quite do it, and a painting doesn’t quite do it. They do it their way but with cinema, especially if you’re in a theatre and you’re sharing the experience with a bunch of other people so it’s this mass thing going on..it’s just truly, truly thrilling.(x)
(Source: femburton)
DOOOOOPE COVER
Pentatonix cover of We Are Young. they’re nuts!
Kanye West- I Wonder
I remember when I first heard this song; this shit felt like magic the mysteriousness of cotton candy disappearing in my mouth type shit. - who is chan
(Source: kennywins)
(By: Geoff-)
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Audra McDonald on needing endurance to play Bess in Porgy and Bess:“The last melody in the show, after an entire night of [Bess] singing and being raped and kicked and beaten and all of this stuff, is ‘Summertime,’ and it’s a lullaby, and it’s high, and it has to be high and pretty and sung to a baby. And it freaks me out that after all this, I have to sound high and pretty and fresh. And I’m always holding onto that baby, going, ‘I know you’re just a doll, but help me.”](http://25.media.tumblr.com/tumblr_m42k59V59v1qd9dz2o1_500.jpg)







